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Triadic Tales - Fifteen Minutes Before a Roaring Fire - Short Story (Part One)

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Triadic Tales - Fifteen Minutes Before a Roaring Fire - Short Story (Part One) PART TWO

Adam went out to the Vineyard when he needed time to himself. The Broadley family had digs in Menemsha that were for him a sort of second home. 

This visit was for Adam a chance to complete a commission to write a musical narrative for a Bicentennial event. He had completed the lyrics and melodies and shipped them off to someone who could transform his taped effusions into the notation that would enable others to sing what he had written. It remained to get some history done. How did  John Wesley's heart get strangely warmed? How did  "Methodist", the insult, become approbation? 

Adam slept in the front bedroom, not far from the living room and various other rooms adjacent to the large kitchen that was often the scene of informal meals. 
  
On this trip, he woke daily to the sound of argumentation from the master bedroom. The back and forth would make Woody Allen proud. To Adam, the overheard nattering boded the likely dissolution of whatever union there was. 

Adam went way back with the Broadleys and could  remember Morton Broadley's Wife One as if it was yesterday. Wife Two, in the bedroom down the hall, had one of those names you register if you are calling the roll of prominent New England families, with an accent on Newport. Wife Two was now complaining with such energy that Adam could not imagine what sleeping next to her might do, other than cause serious wanderlust. 

It was odd that, when everyone was up, there was no hint of this early morning acrimony. Adam could not figure out what the lack of boudoir inhibition, with him so nearby, signified. 
It confused him.

Adam spent the day undisturbed on one of the couches in the sunken living room, determining that Wesley had indeed been moved to universal love at Aldersgate and that Methodists had been tarred with the name Methodist to the point that they took it as a badge of honor. 

Morton came in as the radio played a country song called Too Cold at Home

"Good song," Morton said. 
 
It was late afternoon when the intelligence arrived. Wife Two's half-sister was coming to supper with her consort. 

I see no need to go into identities because, at this point, all it would likely create is what Adam's friend Bob out in Vegas said when Adam later mentioned that he had spent fifteen minutes with her

"You're lying," he said.

So peremptory and final was Bob's verdict that it convinced Adam that it was dangerous to friendship to appear unbelievable. 

So he kept quiet about his fifteen minutes at Menemsha.

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"Sto Perigiali" One of the Surpassingly Best Tunes Theodorakis Has Written

A Setting for a Poem "Denial" Beloved by the Greek People by the Nobel Prize Winning Poet Giorgos Seferis

http://www.youtube.com/watch?v=dhk0ckaCxDI
The remarkable video at the link above is of a performance of "Sto perigiali" Mario Frangoulis and Mikis Theodorakis in 2001.

Frangoulis and Theodorakis are joined by musicians, including two bouzouki players, and a very large audience that is completely familiar with the words. The audience joins in at Frangoulis' prompt.

This is my very favorite Theodorakis melody. Those who know Theodorakis only for his "Zorba" music are in for a treat. When I was in Athens in 1966, for a short period of study with Constantinos Doxiadis, I knew nothing of Theodorakis. But about five years later, my friend Irene Vassos sang "Sto perigiali" to us. I have never gotten the tune out of my mind.

Later, when Irene joined our group to form a travelling company performing "New Rain", I learned to pick out a …

Stephen C. Rose Bio

Stephen C. Rose (1936-) was born in New York City and raised there. He currently lives there. He was educated at Trinity, Exeter, Williams and Union Theological Seminary. He served in the Student Interracial Ministry in Nashville. He founded and edited the prize-winning Renewal Magazine in Chicago and studied with C. A. Doxiadis in Athens. His first books "The Grass Roots Church" and "Who's Killing The Church" established him as a prominent critic of American Protestantism and American religion. He was and remains a civil rights activist. He has interviewed and done in depth pieces on Saul Alinsky and Martin Luther King, Jr. He won awards for editorial courage and for two documentary films. He has written and published many songs and musical works including "We Are All Americans". During the late 90s and early 2000s he worked for UN agencies, most recently editing CHOICES Magazine at UNDP. Since 2000 he has written several books for distribution via K…