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Charlie Knuckle



Charlie Knuckle was not his real name. He could have been easily traced if he had ever appeared. It was the most elaborate scheme ever perpetrated in the MLB. It made doping look like a tiny footnote. Here's how it went down. The year was 2053. The Yankees had gone through a huge crash, one of those cyclical meltdowns where aging incompetents and hapless newcomers could not go the distance. No playoffs. Disconsolate fans. In walks Charlie Knuckle. When the season ended, the very next day, the entire Yankees front office was replaced. Within a week, all the deadwood was on the way out. And the following spring, the team consisted of the most unlikely assortment of players ever assembled. Charlie Knuckle controlled it all from his Manhattan hotel apartment. The new team was made up of retired veteran gold glove winners plus three renowned, but somewhat used up, sluggers. The center of the operation was fifteen pitchers and five catchers. The pitchers were all versed in the knuckle ball. The catchers spent the winter acclimating themselves to double-sized mitts and the zen of spearing tosses that had no rhyme or reason. Tampa went wild when the Yanks arrived for spring training. The papers were filled with speculation. Charlie Knuckle kept a low profile thanks to the services of discreet doormen and elevator operators. To make a long season short, the 2054 Yankees won 100 games by the middle of August and swept the playoffs and World Series handily. What was the actual MO Charlie insisted on to bring about such a remarkable result. First, he instructed the sluggers not to go yard, but to swing gently, creating pin point bloopers that might yield up singles while causing mayhem as opposing outfielders and infielders tried to snag them. He instructed his all-knuckle-ballers to be alert to the provisions of their contracts. Pay-per-pitch. A cool $1000 for every pitch that resulted in a called strike. Three-passed-balls-you're out of the game. As many as ten pitchers might be employed in a single outing. Catchers were similarly rewarded. The result was a great show. The methodology yielded up so many substitutions that crowds went wild. Rarely would there be a meltdown. Someone of the fifteen hurlers would be on. The team era was 2.1. The sluggers managed over 100 rbis each. In the dugout, the manager and his assistants could be seen talking on a red phone. It was a direct line to Charlie Knuckle. It is said that every move that was made was suggested by this strange individual. It was surmised, accurately, that whoever was behind this had unlimited resources and a somewhat jaundiced mind.

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"Sto Perigiali" One of the Surpassingly Best Tunes Theodorakis Has Written

A Setting for a Poem "Denial" Beloved by the Greek People by the Nobel Prize Winning Poet Giorgos Seferis

http://www.youtube.com/watch?v=dhk0ckaCxDI
The remarkable video at the link above is of a performance of "Sto perigiali" Mario Frangoulis and Mikis Theodorakis in 2001.

Frangoulis and Theodorakis are joined by musicians, including two bouzouki players, and a very large audience that is completely familiar with the words. The audience joins in at Frangoulis' prompt.

This is my very favorite Theodorakis melody. Those who know Theodorakis only for his "Zorba" music are in for a treat. When I was in Athens in 1966, for a short period of study with Constantinos Doxiadis, I knew nothing of Theodorakis. But about five years later, my friend Irene Vassos sang "Sto perigiali" to us. I have never gotten the tune out of my mind.

Later, when Irene joined our group to form a travelling company performing "New Rain", I learned to pick out a …

Stephen C. Rose Bio

Stephen C. Rose (1936-) was born in New York City and raised there. He currently lives there. He was educated at Trinity, Exeter, Williams and Union Theological Seminary. He served in the Student Interracial Ministry in Nashville. He founded and edited the prize-winning Renewal Magazine in Chicago and studied with C. A. Doxiadis in Athens. His first books "The Grass Roots Church" and "Who's Killing The Church" established him as a prominent critic of American Protestantism and American religion. He was and remains a civil rights activist. He has interviewed and done in depth pieces on Saul Alinsky and Martin Luther King, Jr. He won awards for editorial courage and for two documentary films. He has written and published many songs and musical works including "We Are All Americans". During the late 90s and early 2000s he worked for UN agencies, most recently editing CHOICES Magazine at UNDP. Since 2000 he has written several books for distribution via K…